You are currently browsing the Markinch Amateur Operatic Society weblog archives for August, 2011.
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- Current Show (9)
- Uncategorized (10)
- 18/02/2012: Examining Aspects Of Lose Weight
- 18/02/2012: The Nitty-Gritty On Root Elements Of Ex Back
- 17/02/2012: Identifying Quick Programs Within Guitar Lessons
- 16/02/2012: Public booking details for The Sound Of Music
- 26/01/2012: Cast List - The Sound Of Music
- 11/01/2012: Adult and children's auditions for The Sound of Music
- 08/01/2012: Children's Auditions for The Sound Of Music
- 07/01/2012: 2012 Production - The Sound Of Music
- 10/08/2011: Review of 'Mack and Mabel' by John Urquhart, NODA Area 7 representative
- 24/01/2011: 2011 production - Mack and Mabel
Archive for August 2011
Review of ‘Mack and Mabel’ by John Urquhart, NODA Area 7 representative
10/08/2011 by admin.
Although previously, I have not rated Mack and Mabel as one of my favourite shows, this production challenged this and I found it thoroughly enjoyable. This owed much to the convincing performances from all the principals. Jonathan Cammidge worked hard at creating the character of Mack Sennett and succeeded in gaining our sympathy when it really isn’t justified. Similarly, we were drawn to Jackie Beatson’s Mabel and we did have lots of sympathy for her. In addition to these outstanding performances, Julie Stirling was most convincing as Lottie and Scott Smeaton created a highly believable Frank. John Marshall and Jan Tadrowski as the backers Kessel and Bauman were a strong pairing, giving some light hearted relief. Stephen Burdis was imposing as William Desmond Taylor. Staging was extremely effective and great credit should go to the design team. The small orchestra gave all the backing that was needed and did not disappoint during the well-known overture. This was choreographer Valda Wicks’ swansong with the company. Over the years she has worked marvels in producing so much creative movement in such a small space. Her talent will be missed.
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